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Ear Training

Last update: 2025-05-05

Tags: music

Ear-Training and Sight-Singing Applied to Elementary Musical Theory by George A. Wedge (Wedge, 2012) is a coordinated course designed to teach fundamental music theory through a practical combination of three integrated components:

  1. Written exercises to build theoretical understanding of musical concepts.
  2. Ear training (dictation) to develop listening skills and the ability to recognize pitches, intervals, and rhythms by ear.
  3. Sight-singing to train students to read and sing music accurately at first sight.

It starts from basic concepts like intervals, scales, and rhythm, and gradually builds toward more complex material. The teaching method is step-by-step, making it ideal for both classroom use and private study. The bookโ€™s strength lies in how it connects theory directly to listening and performance, encouraging a well-rounded musical foundation.

Preface

The author outlines the bookโ€™s purpose: to present the elements of music in a direct and concise manner, providing material for practice and instruction on its use.

Analytical Table of Contents

  1. Chapter I: The Staff, Clefs, and Notes
  1. Chapter II: Measures and Time Signatures
  1. Chapter III: The Major Scale
  1. Chapter IV: The Minor Scale
  1. Chapter V: Intervals
  1. Chapter VI: Rhythm and Meter
  1. Chapter VII: Ear Training Exercises
  1. Chapter VIII: Sight-Singing Practices
  1. Chapter IX: Dictation Exercises
  1. Chapter X: Review and Application

Each chapter includes written exercises, dictation for ear training, and sight-reading practice, ensuring a well-rounded approach to learning.

Reference

Wedge, G. A. (2012). Ear-Training and Sight-Singing Applied to Elementary Musical Theory, a Practical and Coรถrdinated Course for Schools and Private Study. Forgotten Books.